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Reading: WEEK OF FASHION – BEHIND THE SEAMS — Dossier Magazine
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WEEK OF FASHION – BEHIND THE SEAMS — Dossier Magazine

Last updated: October 30, 2025 3:25 pm
Published: 4 months ago
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This shift allowed me a rare, behind-the-scenes view into what it takes for a small, dedicated team to pull off something as colossal as the Week of Fashion. The sheer scale of their efforts, the passion poured into every detail, it was humbling and inspiring all at once. But what struck me deeply, and frankly, what I cannot ignore, is the treatment of the very people who make this all happen.

Many of the support teams on the ground, students from local fashion schools, security, and staff, came with a hunger to gain experience, to learn, and to grow. To witness them, and even myself, treated with rudeness, entitlement, and a lack of respect by many guests was a stark contrast to the spirit of what the Week of Fashion stands for. One designer even proudly stated he had invited over 400 guests, with no regard for the shared space or the chaos this could create. It’s these moments that reveal the chokehold on our industry, one where entitlement overshadows the very creativity we are here to celebrate.

And yet, because of the dedication of the team, that chaos never came to pass. Their professionalism ensured that the shows remained a celebration of fashion, even in the face of such challenges. As an editor, I am compelled to highlight not just the beauty of the collections, but also the areas where we must do better. The Week of Fashion is a platform for the future of fashion, and that future must be built on respect, for the creators, for the teams, and for the very people working tirelessly behind the scenes.

On a more positive front, following the Global Graduate Fashion Show on Thursday, the 23rd of October, I was elated to see my very own client, Palesa Mokubung, showcasing for the first time in Cape Town under the Week of Fashion banner. I was also incredibly excited to witness the various opportunities at the new entrance of Wonderland Studios in the Longkloof Precinct, where ERRE debuted their new Spring/Summer collection, including menswear for the first time. It was also delightful to see master designer David Tlale’s collection gracing the runway. My previous favourites from last season, King on Horses and Flux Luxury Couture, remain close to my heart, and no matter where I go, WEPNER and Richard Hoy always stand out as favourites at any fashion week.

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