In a move that has stirred conversations across the Nigerian music industry, renowned talent manager Muyiwa Awoniyihas officially announced that he is no longer managing Afro-fusion star Omah Lay.
Awoniyi, who has been a key figure in the career growth of several Nigerian artists, made the announcement on his official X (formerly Twitter) account on Thursday.
“With love and respect, I am no longer managing @Omah_Lay. That’s my brother and I wish him all the best in his endeavors for life!” — @IAmDonawon
The post was met with a wave of reactions from fans and industry insiders, many of whom have followed the duo’s journey from the early stages of Omah Lay’s rise to fame.
In response, Omah Lay offered heartfelt appreciation to Awoniyi, signaling that the split was amicable.
“@IAmDonawon. The most intelligent nigga I’ve met so far in the game, love you forever my blood.” — @Omah_Lay
Their public show of mutual respect underscores a professional parting without animosity, a rarity in the often dramatic world of artist-manager relationships.
Muyiwa Awoniyi is widely regarded as one of the sharpest minds in the Nigerian music management scene. Beyond Omah Lay, he is best known for managing Grammy-winning artist Tems, playing a vital role in her global success. He has also worked with Nonso Amadi, the Nigerian-Canadian singer who has carved out a niche in the alternative and R&B spaces.
With Awoniyi’s keen eye for talent and strategic career planning, his departure from Omah Lay’s camp will certainly spark curiosity about what’s next for both parties.
While neither Awoniyi nor Omah Lay has revealed what prompted the split, fans speculate that it could signal a new chapter in Omah Lay’s artistic direction or business structure. The singer, known for his introspective lyrics and hit songs like “Soso,” “Understand,” and “Godly,” has hinted in recent interviews at personal evolution and creative expansion.
As the industry watches this development closely, one thing remains certain: both Omah Lay and Muyiwa Awoniyi are poised to continue shaping the future of African music — independently.
