The torqued-up actioner set in the high-stakes world of Formula 1 racing ran laps around its closest competition for a $55.6 million take at the domestic box office, and $144 million globally. Given its star, Brad Pitt, and director, Top Gun: Maverick’s Joseph Kosinski, F1’s out-the-gate success isn’t too surprising, but it was by no means assured. The film which depicts an aging, former pro racer who’s pushed by a teammate (Javier Bardem) to test his mettle on the blacktop again had to slay a dragon to secure the gold.
Dean DeBlois’ How to Train Your Dragon live-action remake has been a box office juggernaut since its mid-June release, scoring a scorching-hot $197.8 million global premiere and continuing its winning streak into week 2. Though it fell to No. 2 this weekend, it still added $19.4 million domestically for a $200 million gross, and $52 million globally for a $454.4 million gross.
This weekend’s other anticipated premiere, the cybertronic horror sequel MEGAN 2.0, fell short of a top three finish at the domestic race, scoring No. 4 with a $10.2 million take. It fell even shorter globally, ranking seventh with a $17.1 million haul, but the Blumhouse offering from Gerard Johnstone featuring Girls star Allison Williams will have no problem surpassing its estimated $25 million production budget.
What did earn a spot in the domestic winners’ circle this weekend was Elio, the latest from Pixar, which earned $10.7 million in its second week of release for a $42.2 million domestic haul since its release, and added $22.1 million globally for a $72.3 million haul. $70 million is nothing to scoff at, unless you’re Pixar, which is still smarting from the film’s meager $21 million debut earning it the ignoble title of the animation titan’s worst-ever debut. The film is still a good deal short of its budget, which is estimated around $150 million, and for contrast, by this time in its release, last year’s Inside Out 2 had already grossed $724 million at the global market.
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Other notable titles on this weekend’s domestic charts include Lilo & Stitch and Mission: Impossible – The Final Reckoning, both in their sixth weeks of release and still chugging along, crossing the $400 million and $185 million marks at the box office, respectively. Materialists, Celine Song’s genre-skewed, mixed-reviewed love triangle, has proven its legs, holding strong at No. 8 with a $3 million take in its third week of release.
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